Guide Screenwriting Secrets in Genre Film (Write Now Workshops series Book 1)

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Once payment is complete, you will have a reserved seat at the event. Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your letter. Thank you for your interest in the Tennessee Writing Workshop. Weronika Janczuk is a literary agent with D4E0 Literary. Weronika pronounced like Veronica broke into publishing in , through a high school workshop that placed me with former young adult editor Brian Farrey at Flux now North Star , a small imprint in Minnesota, where she pulled, from the slush pile, the lovely Out of the Blue by Holly Schindler, which received a starred review in Booklist.

From , as an undergraduate at NYU, she worked with Bob Diforio and sold an array of projects. I love Earl Grey tea and lattes, Sudoku, rivers, and pierogi with blueberries. I am also a writer, as are many other agents and editors. I queried my first project when I was 13, and have never queried again, tinkering in silence, perfecting craft, with my current project a science fantasy. She is seeking:. I love beautiful writers, worlds, characters; smart, quirky and genre-bending stories.

I love underdogs, and stories about characters that rise above limitations. I love romance, whether genre- or element-wise, that is visceral in its rawness. I love dark contours, intense in their immediacy, and world-building that catches your breath with its precision and distinctness. I would prefer to work with writers eager to grow in their skill as novelists and build long-term, sustainable careers.

Erin Clyburn is a literary agent assistant at Corvisiero Literary. At the Nashville workshop, she will be taking pitches on behalf of herself and agents at the agency. Caroline commits her time and energy to telling stories in their many forms. As a Belmont University graduate with a double-major in publishing and public relations, Caroline aims to pursue a career committed to helping authors, publishers and organizations project their stories to their publics.

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After receiving a B. Nikki loves all types of fiction, but is particularly interested in finding fresh Southern voices and ethnically and culturally diverse fiction. Nikki is currently accepting pitches for:. Do Not Pitch:. Alice Speilburg is a literary agent with Speilburg Literary. She is currently building her client list and represents a wide range of fiction and nonfiction. Search for:. The final schedule of topics is subject to change, but here is the current layout: — Check-in and registration at the event location.

She will then meet with you for 10 minutes at the event to discuss her thoughts, and pass along written critique notes at the meeting.

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Mystery, crime, and thriller : Faculty member Robert McClure , a published writer, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss his thoughts, and pass along written critique notes at the meeting.

Please note picture book critiques are 1, words maximum. Science Fiction — Including Afrofuturist fiction, written in the vein of Nnedi Okorafor and Octavia Butler African-American — Fiction of all types that explore the African diaspora or African-American experience in a new or interesting way that goes beyond a focus on racism or oppression. Nonfiction related to mindfulness, healthy eating Paleo, gluten-free, etc. Do Not Pitch: Stories that focus on chronic illness or dying Erotica Graphic horror light elements of horror are acceptable Stories with graphic sex scenes Police procedurals Stories in which children are abused Stories that explore sexual abuse and its effects Stories in which racism or discrimination are the focus unless it is historical non-fiction Fiction set in the 60s, 70s, 80s or 90s.

Unfortunately, she is no longer attending the TN event. The Tennessee Writing Workshop. Blog at WordPress. I'm trying to auction a book right now myself of somebody's, is you definitely want a contract. You definitely want your lawyers involved. I would say too, it behooves you on your end to try to get the shortest amount of time on your option with the biggest amount of money.

Those are the three most common. If it's an exclusive option, if you're going to trust a producer to walk around this town trying to sell the rights to your book as a film or TV show, if they're not offering you a lot of money upfront then you wanna try to decrease the window that they have it for as short as possible because what if they don't do their job? What if they have the book for six months and they were unable to set it up?

And you can keep playing that until you find the right person who sets it up at the right place. But if it doesn't, no harm, no foul and six months later, you now have the rights to your book back and you go, you know, and shop it somewhere else. Joanna: One big question would be about the current market. We know Amazon Studio has kind of an open website where anyone can pitch submissions.

What about Netflix? Adam: There are a lot of buyers, more buyers than ever. The places you named like Amazon and Netflix, those people come from another industry. That's tech money. That's a whole different kind of money. They have more money than any of these studios. Okay, we'll double it, We don't also sell diapers. We don't also have subscription things. We don't also do all these other things that they're doing.

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But because of that, for you as the author or for me as the writer, to entice these places that don't do it as often as like a cable place that's been doing it for 20 or 30 years, they, a lot of times, you want to see a lot more than a script. So you have to come in with a producer and regular TV as well, but come in with a package. It's got this very famous movie actress who usually only does movies attached to star.

It's got this indie director who's just coming off an audience award at Sundance. Because for Amazon and Netflix and Hulu and some of these places, they're looking at the metrics. This star's bankability is worth this much. Oh, this director's last movie did this. Also, a lot of the streaming places don't do a traditional pilot like network and cable do. They a lot of times are ordering straight to series.

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So because of that, if they're going to outlay money for 10 or 12 episodes, they want a pretty established hot team to come in and do it. If we don't like the pilot, we just won't order it to series. Joanna: It's interesting. I guess people listening who are authors of books, they're not gonna have people attached to a project. I think that's probably your level, the producer level.

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So, coming back to my level, say, well, I've got a screenwriter right now. Joanna: British setting with a female and a bit of a supernatural thing. So, you know, I have some books. She won an award but no credits. We're completely unknown. We don't even have agent. Adam: First step is definitely the agent representation. In lieu of that though, what I would do is you mentioned those two shows, Luther and Jessica Jones, two great shows.

I watch both of them. I would make a list of 12 shows that are similar to what you guys are doing, similar in a good way, not a bad way. And I would try to reach out directly and contact a producer for production companies responsible for those shows. A lot of people find a genre or a brand and make other stuff in that.


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It sounds like yours is a thriller. Joanna: It's a good idea. It's one of those things, you think you need people…like being an author, or being anywhere, when you're on the outside completely you just have to get started, don't you? And a lot of it is about making relationships over time. Joanna: It's a one-act play but it had F. Joanna: And he was like literally right here by my face. I was in the front row and I was like, hey, that's really weird.

Adam: It was amazing.

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I've been doing them for like eight years now but on the side. I'm just going to practice and play with dialogue and I'm not going to worry about what it looks like on the screen or what…if it'll sell as a movie. These are just for fun.

I have started to get a bunch of them and I wasn't showing them to anyone.